Justin Norman is all about variety when it comes to his creative endeavors. From his work for Shrieking Tree—a web design and development company he founded and runs alongside Wesley Norman, Scott Yoshimura, and Eric Allan—to his shorts with Evil Grin Gift Box, Norman has directed and shot 28 shorts in the last few years alone.
We caught up with him recently to talk about his work with Shrieking Tree, how he got started, and what website faux pas makes him want to “spoon [his] eyes out and hurl them into a cloud of wasps.”
This interview has been edited for conciseness.
Clay & Milk: Tell us about what you’re building with Shrieking Tree.
Justin Norman: I’m building a bungalow. A lovely little bungalow with curtains, and ovens, and even doors! Since the bungalow is nestled in a tree, the branches are always weaving their way around mischievously, punching their way through windows and locking arms with the limbs of other house-trees in surrounding areas. They lace their twig fingers together and are forever bonded in the light of the sun.
This is, of course, both frightening and fantastic, which is what I like my projects to feel like when I’m working on them. I always like to be trying out new mediums, and new techniques in those mediums. The work I’ve done has morphed from web design to graphic design to animation to photography to mini-documentaries, commercials, and short film work. Where it’s heading next is a fleck of stardust wafting up a cloud’s loose-legged pantaloons. God only knows what lies within.
C&M: How did you get started?
JN: When I was 13 I used to write lots of short stories. I wanted a way to put them online, so I taught myself how to make websites. I started volunteering to remake websites for bands I liked, and eventually enough word of mouth caught on that I was able to do it as a full-time job. After doing it for about 15 years, I decided I needed a little variety in work life (beyond staring at screens full of code all day) so I started making short films in my free time. Right now my life is a combination of a bunch of different types of work—web design and coding, writing/directing mini-documentaries and commercials, and writing a bit of music for those film projects.
C&M: I noticed you have a section for archived “retro” websites from the ’90s in Shrieking Tree’s current web portfolio. What’s the one web design faux pas you wish you never had to see again?
JN: Oh, I think it would probably be that thing where within five seconds of visiting a page, the article is obscured by a box demanding you insert your address for an email list or that you like the page on Facebook. That’s probably the worst common practice I’m seeing these days. It makes me want to spoon my eyes out and hurl them into a cloud of wasps.
C&M: What’s been the most rewarding project you’ve worked on?
JN: That’s a tough one. I think there a few ways a project can be rewarding and the ways coming to mind right now are a) when a project feels like it’s had a strong audience response, or b) when you feel like you really accomplished what you wanted with a project and you feel very personally satisfied with it, audience reaction aside. So I think in terms of the former, I made a video called “Thanksgiving at Guantánamo” a couple years ago that documented a hunger strike in solidarity with cleared-for-release detainees at the prison, which was made for an organization called Witness Against Torture. I think it was the furthest reach that organization had ever accomplished with that message, and it felt good to know that the issue had finally gotten out to so many people.
In terms of a project that’s personally rewarding, I’m really happy with this short film we made called Jeff & Jeff. We’ve made about 40 shorts now, and despite almost no one in our audience sharing our opinion, this is my favorite (as well as Wes and Eric’s favorite). The idea was to write something where two characters went through a wide range of emotions that played off common movie tropes without ever connecting those emotions to a coherent plot. It was a really challenging script to write, and an even more difficult thing to put on screen, but it was also incredibly fun.
C&M: As a kid, what did you want to be when you grew up?
JN: I wanted to be a lot of things—a writer, a comedian, and a visual artist. I did not envision that somewhere in between being a kid and an adult who does a smattering of those things, I would literally dig graves in a cemetery with unsavory beard-folk mocking my shovel’s every movement. Long and hard is the road to moderate glory.
C&M: Do you have a Spotify playlist you listen to when you create?
JN: I don’t use Spotify—I prefer Bandcamp (the artists get more money that way). But how about a top ten list of albums you should check out?
- Bearcubbin’ — “Girls with Fun Haircuts”
- The Books — “Lost and Safe”
- Gallops — “Bronze Mystic”
- Emma Ruth Rundle — “Marked for Death”
- Mutiny on the Bounty — “Digital Tropics”
- TTNG — “Disappointment Island”
- Cliff Martinez — “The Knick”
- The Envy Corps — “It Culls You”
- Stars of the Lid — “and Their Refinement of the Decline”
- Alpha Male Tea Party — “Droids”
About Justin Norman
Location: Des Moines, IA